Carbon Demonstration

Last weekend I demonstrated and gave a talk about the carbon printing process. I also briefly explained how my vintage Deardorff camera is used to make the negatives; that in itself always receives a lot of interest!

I was pleased with the results of the carbon print. The negative was taken during a trip to Utah, USA.  A tree image of Aspens. If you are interested in knowing more about the process the next demos are Saturday 22nd September and 6th October at 2pm until 2.30pm.

Venue: The Gallery at Woodend
Woodend Creative Workspace,
The Crescent,
Scarborough

Admission is free. Hope to see you there!


Carbon to Carbon Exhibition

It’s been a hectic few weeks! The exhibition is now in its second week, so this is a belated post to catch up with all the events so far. I had a great team helping with the hang, which went perfectly to plan. A big thank you to each of you! I was delighted with the turn-out to the private view too. Thank you to everyone who supported me!

More images of the exhibition to follow.


In Conversation

David Chalmers and Joe Cornish
Tuesday 25 September, 1-2pm

I am pleased to announce that I will be doing an artist talk with British landscape photographer Joe Cornish. Working also with large format cameras, his images feature prominently in many books and photography magazines.

 

Recently, Joe spent a few days observing the carbon printing process in my darkroom. We discussed modern-day and traditional techniques at great length. During his visit Joe made several 8 x 10 negatives, which were finally printed using the carbon transfer process.

The talk will take place at the gallery at Woodend alongside the Carbon To Carbon exhibition of carbon prints and negatives. Hope to see you there!

Please contact Woodend Creative Workspace for tickets

Cost £4.00 includes refreshments


An introduction to the exhibition entitled ‘Carbon to Carbon’. A photographic carbon printing project based on the woodlands and forests of the North York National Park. Exhibition starts Sept 1st until October 13th at Woodend Gallery, The Crescent, Scarborough.

Continue reading

Forthcoming Exhibition


8 x 10 inch Deardorff

Each 8×10 negative is made with my Deardorff. The image making light is projected onto the ground glass screen of the camera. Composition and focusing are aided by the use of the dark cloth which can be seen resting on the top of the camera in this picture.


24inch Schneider

 

All of my carbon negatives have been made using 8×10 inch sheet film. HP5 to be specific.

This image was made using my f9 610mm Schneider Repro Claron. Generally, I prefer a standard lens for my landscape work, however with my tree series I have been drawn to compress the perspective and flatten the depth to give more of a graphic aspect to my tree studies.

The 24inch is equivalent to a 100mm using the 35mm film format. Using 8×10 inch format this lens provides very little depth of field especially when used with any amount of magnification. This image was made at dusk. The exposure was 7 seconds at f32.

Using the repro claron in the field is quite a challenge as the effective focal length with the magnification was about 27 inches (700mm) This is a considerable long bellows extension particularly when the wind is gusting!


Live Demonstration 27 August 2011


North Yorkshire Open Studios 11

I am currently exhibiting my first carbon exhibition print at The South Street Gallery during the North Yorkshire Open Studios.

The print on display is part of my ‘Celebrating Place’ project photographing the trees of North Yorkshire. During the event I was also making carbon pigment paper, which will be used to make future carbon prints.

Next Saturday 18th June at The South Street Gallery, I will be developing a carbon print at 3.30pm. This is a great opportunity to witness a live demonstration of a Victorian process.


8×20 inch Carbon Print

I made my first ever  8×20 inch Carbon print last week, which is now on exhibition at The South Street Gallery as part of my North Yorkshire Open Studios work in progress. This is the result of a 2 way exposure made in the field of my tree subject, photographed with my Deardorff and my 24inch repro claron.

This is the print in the final stages of development just before it was washed ready to dry.